This roll was taken along Rt. 250 in the north of Hawai’i Island. This is one of my favorite drives on the island, especially in the late afternoon. As the sun starts to set everything in the Kohala hills becomes covered in golden light. It’s like a dream land, like an endless summer. The one problem is that there are often no places to stop a car and take pictures. Some day when I get a bike I’ll ride over this way and take several rolls of film all at once. (But after I work-out some first, they are some serious hills for a novice biker.)
This roll was Kodak Portra 400. I had forgotten just how slow 100 speed film can be on all but the sunniest days, and even though this is a sunny place most days I’ll have to be careful when choosing to use slower film. 400 ISO film seems like a reasonable step up. With such large negatives the larger grain shouldn’t be much of an issue.
I finally found some places to safely pull over and work. The first image on this roll isn’t quite what I was hoping for however. The sun at this time of day can make some very dramatic landscapes, but it didn’t come through here. The land appears mostly flat despite the grass blowing in the wind, and the sky is not super engaging.
At the time when I took this image the road seemed like it would be an interesting element. I thought that it would help lead the viewers eyes into the distance toward the hills on the horizon. I suppose it does, but there are whole sections of this image that are dull and boring. The pieces do not add up to a whole.
The angle of the sun and the time of day in relation to the direction of this picture make it seem flat and uninteresting. I have to remember that the camera sees differently than my eyes.
Now this image has some more of the dramatic afternoon light that the Kohala hills so often exude. There is a little more shadow and highlight interplay and a better sense of depth.
Out of focus. It’s not a great picture, and being out of focus only detracts further. Using a rangefinder clearly takes practice. Also, standing in the middle of the road isn’t usually a great idea anyways.
Here we are getting somewhere. Hawai’i offers some beautiful huge sky some days. Being up in the mountains gives a new perspective on clouds by putting them directly in front of you, and the land here is so saturated with color if you get just the right sun.
I actually kind of like the road in this image. It manages to add to the composition with out overpowering it as happened in some of the earlier images on this roll. Even the power lines kind of work. They both draw your eye into the image. The tilted stop sign is a nice touch too.
The deep rich colors here make this my favorite image on this roll. The composition is pretty basic, but it works here I think. The atmospheric distortion is somewhat enhanced by the vog (volcanic fog, it’s a whole thing) but not too badly.
Not a bad roll over all, I can feel that color is going to be important in my work here. Hawai’i often just needs to be in color. When I lived in New York City I almost never used color, black & white just worked there. Also the color on this roll was over all better than on Roll 1. That roll had some “storage discrepancies” that probably effected it’s end result.
I also feel that using the 400 ISO film helped give me more options here. I’ll be trying various ISO’s in the future, plus I’ll have to get a new tripod. The $50.00 tripod that I have now just isn’t going to be able to support a camera of this size.
I think frame’s 7 & 8 are the best on this roll. They were also the latest images taken that day, so perhaps I need to wait for the sun to move into a more dramatic position before I begin shooting. When shooting film on a camera like this, patience is a virtue.